With a name as elusive as the melodies that just hint in order to vanish, jasmin’s songs are revealing the possibilities of a minimal guitar trio. Sometimes jointly, sometimes in fierce competition, guitar, bass, drums and minimal electronics are spinning enticing textures. Those pleadings against the imperative of lyrics, you don’t have to call them post rock if you don’t want to. The deliberation annihilates itself by its sheer sustainability: On stage the guitarist frequently collides with the solid wall of bass and drums, disrupting it in feedback fever.
