Psychedelic noise | Musicosity

Sylvia Hallett

Sylvia Hallett studied music at Dartington, and then spent two years studying composition with Max Deutsch in Paris. She now works both as a composer and as an improviser, and has had pieces performed in Britain and Europe. She has played in many international festivals since the late 1970s, working with several well-known and respected musicians, including Lol Coxhill, Maggie Nicols, Phil Minton, Evan Parker, and the groups Accordions Go Crazy, LaXula, British Summer Time Ends, The London Improvisers Orchestra, and the London Hardingfelelag.

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Axolotl

A ) Axolotl is the project of Karl Bauer. Based in Brooklyn and San Francisco, the band has been active since 2002, and has included William Sabiston (Bulbs) on percussion, among many other collaborators. Karl uses violin, vocal, and other instrumental music often by using electronic processing
http://www.myspace.com/axolotl B) Axolotl’s Abrasive (1981) Ettiene's Brunet project with Jacques Oger on tenor and baritone saxophone, and Marc Dufourd.

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i saw a man listen to this with this little monkey on his head

it was waving

beyondwithin

piekny

surrealizm sfabrykowany

landscaping with bulbs

not the mediocre drone band

two or more artists with the same name

experimental electro-acoustic noise-drone

falling out of the sky and into my lap

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Metal Rouge

Metal Rouge is a duo unit, originally formed in New Zealand between Andrew Scott and Helga Fassonaki, now residing in the sea between--concerned primarily with pure thoughtless formless now and its expression through sound.

Metal Rouge on Last.fm.

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Pain Jerk

Pain Jerk (Japanese; ????????) is a noise music unit run by Japanese musician Kohei Gomi. Pain Jerk was one of the more prolific and influential noise artists of the 1990s, and is one of the leading figures in the "dynamic" style of Japanese noise, alongside acts such as Merzbow and Kazumoto Endo. Gomi is also the owner of the noise label AMP, and a member, along with T. Mikawa and F. Kosakai of Incapacitants, of the noise supergroup Gomikawa Fumio.

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Mr Black

Solo Grungegaze cum Dark Psychedelicore cum Doom Folk cum Symphonic Noisewave cum Space Pop cum Gothic Soul cum Crust Pop cum Math Funk cum Acid Metal cum Sludgetherealindustrial cum Powerpopviolence cum Southern Postcore project of Mr Black conceived around 2001 as a solo project of Mr Black but not started until sometime in the 90's. Mr Black split up in 2010 following the death of Mr Black leaving behind a wide and well-received catalogue of absolutely no albums whatsoever.

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tested for autism but diagnosed to be cunt

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Gareth Hardwick

Based in Nottingham, United Kingdom, Gareth Hardwick creates music that is at once rich and minimalist, dense and subtle. By manipulating the natural tones of his guitar with effects and loops he can deform and reshape the sounds generated by his instrument until you're no longer sure what you're hearing - an organ, a voice, or no recognisable instrument. Between abstract sounds, fragile and delicate melodies reveal themselves to you; finding yourself lost in intricate textures you are suddenly awoken by an absence of structure or sound, of something that one can hold on to.

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Bee Mask

Bee Mask is the abstract and drone music project of the Cleveland, Ohio, United States native Chris Benedetto Madak. Its established in 2004. Using oscillators built into glass jars, synthesizers, guitar, processing and other methods of electronic experimentation, he brings next level white light sounds similar to, "that of Phill Niblock and Tony Conrad aspects of Ash Ra Tempel." http://bee-mask.tumblr.com

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Jazkamer

Since 1998 Norwegians John Hegre and Lasse Marhaug have been making sound together as Jazzkammer. Debut album "Timex" in 1999 have been followed by a string of releases on labels like Staalplaat, Abisko, Xerxes, Smalltown Supersound, Utech, Bottrop-Boy and OHM Records, as well as touring and playing shows around the world. Remixed by friends on the "Rolex" CD in 2001. Live collaboration CD with Merzbow later the same year. Have done music for theatre and dance performances. Visited and worked in Singapore during the SARS-crisis in spring 2003, but survived.

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