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officially shit

Obie Trice

Obie Trice is a rapper born in Detroit, Michigan, United States on November 14, 1977 to a single mother; Eleanor Trice. On October 5, 1998 he became the father of his only daughter, Kobie. He began rapping at the age of 11 and had a number of underground hits such as "Respect", "My Club", "Dope Jobs Homeless", and "The Well Known Asshole" before he signed to Shady Records in 2000. Before first major release, early years on Shady Records

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Funkadelic

Funkadelic was originally the backing band for the doo wop group, The Parliaments. The band was added in 1964, primarily for tours, and consisted of Frankie Boyce, Richard Boyce and Langston Booth. They enlisted in the army in 1966, and George Clinton (the leader of Parliament) recruited Billy Bass Nelson and Eddie Hazel in 1967, then also adding Tawl Ross and Tiki Fulwood. Due to legal difficulties between Clinton and Revilot, The Parliaments' label...

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Keith Urban

Keith Lionel Urban (born 26 October 1967) is a New Zealand-born country music singer, songwriter and guitarist whose commercial success has been mainly in the United States and Australia. Originally the front man for The Ranch, a three-piece group that released one album in 1997 to critical acclaim, Urban disbanded the group to pursue a solo career. In 2004 his album "Be Here" was nominated for best country album at the Grammy Awards and at the Academy of Country Music Awards.

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Spock's Beard

Spock's Beard is a band formed in 1992 in Los Angeles by brothers Neal and Alan Morse. Neal (keyboards/vocals) and Alan (guitars) were joined by fellow musicians Nick D'Virgilio (Nick D'Virgilio, drums - also known as NDV) and Dave Meros (bass), and were later joined by veteran keyboardist Ryo Okumoto. Spock's Beard play a brand of progressive rock with pop music leanings, drawing much influence from Genesis and The Beatles. They are also well known for their intricate multi-part vocal harmonies and use of counterpoint much in the vein of Gentle Giant.

Read more about Spock's Beard on Last.fm.

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Talkshow Boy

Talkshow Boy describes his music as "Hyperactive Glitch Pop", and you couldn't think of a better name for it. Listening to one of his albums is like watching a bunch of rats on speed eat their way through a wall of fairy floss, or riding on the back of a killer whale 2,000 feet below the surface. The only thing surpassing his recordings in sheer energy levels are his live performances, in which he walks about the entire venue interacting with the audience, when he's not rolling around on the floor or dancing like a madman.

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