post-dubstep | Musicosity

post-dubstep

Salva

There are multiple artists with this name: 1) "Paul Salva is a funky motherf-cker," says The Fader. Beyond those who already know this, the rest of the electronic music world is catching wind of the 29 year old producer, DJ, promoter and label boss. Already heralded by the Numbers, Ernest Endeavors and LuckyMe crews in the UK, the Low End Theory residents in LA and his own Frite Nite label/crew in SF, Salva is primed as he preps the release of his debut album, Complex Housing for the Friends of Friends (FoF Music) label.

Artist Type: 

Shlohmo

L.A. native Henry Laufer, the 21-year-old producer better known as Shlohmo, is a lo-fi beat junkie and field-recording enthusiast, whose crackling, low-BPM compositions update Boards of Canada's filmstrip-soundtrack wooziness. An LA native, Laufer grew up listening to "stuff like DJ Shadow, Amon Tobin, M83 stuff with some sort of cinematic vision." He started making beats when he was 14, but "didn't really do it with any sort of purpose until I was like 17 or 18. That was also around the time he and his friends, already fans of Flying Lotus, discovered Low End Theory.

Artist Type: 

AlunaGeorge

A lot of bands meet as kids at school. Others come together after an over-enthusiastic conversation about music at some random party. Aluna Francis and George Reid however, met through the internet. While their online encounter is more MySpace than Match.com, it was in fact through a mutual respect for each other's work that led them to go on to form AlunaGeorge. Now together for just barely a year, the talented duo have been churning out a series of infectious mixes which fuse Francis' sweet vocal harmonies with the hushed electronic stylings courtesy of Reid.

Artist Type: 

Daphni

Music project of Caribou's Dan Snaith. Daphni's debut album, Jiaolong, will be released on 8 October on Merge Records. "During the time I was making the Caribou album Swim, I'd fallen back in love with moments in small, dark clubs when a DJ puts on a piece of music that not only can you not identify, but that until you heard it you could not have conceived of existing," Snaith said. "Daphni tracks are rough and spontaneous … They're about working fast and intuitively, capturing the manic energy needed to start a track one afternoon, have it finished, and be playing it in a club that night."

Artist Type: