Arnold Dreyblatt (b. New York City, 1953) is an American composer and visual artist. He studied with Pauline Oliveros, La Monte Young, and Alvin Lucier and has been based in Berlin, Germany since 1984. His compositions are based on harmonics, and thus just intonation, played either through a bowing technique he developed for his modified bass, a children's piano he specially tuned, or conventional instruments.
There is more than one artist with this name:
Sheriff a Canadian rock band and the Swedish duo Sheriff, deconstructing the music we know as rock, just leaving the essentials. There is also an underground Melbourne garage rock trio performing under the name Sheriff. 1) Sheriff was a Canadian rock band in the early 1980s. The band was formed in 1979 in Toronto, and consisted of vocalist Freddy Curci , guitarist Steve DeMarchi , keyboardist Arnold Lanni, bassist Wolf Hassel and drummer Rob Elliott.
Henryk Mikołaj G
The Philip Glass Ensemble is a musical group founded by composer Philip Glass in 1968 to serve as a performance outlet for his experimental minimalist music. The Ensemble's instrumentation became a hallmark of Glass' early minimalist style. After Glass wrote his first opera, Einstein on the Beach, for the Ensemble in 1976, he began to compose for other instrumentation more frequently. While the Ensemble's exact instrumentation has varied over the years, it has generally consisted of amplified woodwinds, keyboard synthesizers, and solo soprano voice (singing solfege).
Marsen Jules is one of the aliases for the musical output of Martin Juhls from Dortmund/Germany. As Marsen Jules he concerns himself with compression of atmosphere and emotion in the most abstract sense, based on carefully selected sound fragments and quotations. Maybe one could think of ordinary sampling, but Marsen Jules processes another step further. Neither the sampled sound nor the Instrument itself is centered in his work, actually its the particular moment, where the authenticity...
CoH is the musical alias of Иван Павлов (Ivan Pavlov), a Russian-born sound artist and engineer.
He has lived in Sweden since 1995. After Pavlov moved to Sweden, he adopted the alias COH which can be read in Cyrillic as well as in Latin and means in Russian 'sleep' or 'dream'. CoH was once a collaborator of Coil and also worked with Annie Anxiety, Richard Chartier and Cosey Fanni Tutti. Side projects include oxy and SoiSong (a band with ex-Coil member Peter Christopherson)
Schnebel has become one of the many important postmodern composers through a unique craft, challenging our definitions of music, its limits, and even its unusual sound capabilities from humans themselves. But before developing into a professional expresser of music as an art form, Schnebel underwent vigorous studies in various fields. He began with a general private music study with Wilhelm Sibler from 1942 until 1945, when he started piano lessons with another Wilhelm(!), Wilhelm Resch, and lasted with him until 1949 at the age of 19.
Duane Pitre is an American avant-garde composer and performer. His work often focuses on the tensions between electronic sound and acoustic instrumentation, chaos and discipline, as well as site-specificity and performativity. The composer frequently works with long-tones and utilizes alternate tuning schemes that focus on microtonality, enabling him to explore unaccustomed harmonic intervallic relationships.
Ecstatic Sunshine is an ongoing musical project that began in 2005 as a guitar duo comprised of Matthew Papich and Dustin Wong (who has since left the project to pursue Ponytail and his own solo guitar musics). Ecstatics has released 3 LPs and 2 EPs since that time and has performed hundreds of shows in the United States and Europe with a revolving group of players. Currently, Ecstatics live performances are solo endeavors by Papich.
This is a quite unique collaboration, an unexpected one between the italian composer Teho Teardo and Blixa Bargeld, leader of Einstürzende Neubauten and former Bad Seeds. They first met during the realization of Ingiuria, a theatre pièce and right after that they collaborated on a song for a soundtrack, "A Quite Life". That song started the whole process of writing and producing an album together where songs and more experimental pieces could find a common ground.