industrial | Musicosity

industrial

unsinn

Unsinn is a promising Polish dark electronic project. They had started experimenting with industrial and dark electronic sounds in the early 2010 and released their first songs shortly afterwards.
The band quickly abandoned their original ambient/martial fascinations and currently their style is pure dark/harsh electro. The lyrics oscillate around love, hate, social alienation and dark side of religion.
So far Unsinn has created remixes for groups like H.Exe, RSM and Stian Shiver. They also appeared on Halotan Sounds 1.0 compilation, along with the leading Polish industrial bands.

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Dead Kennedys

Dead Kennedys are a hardcore punk/punk rock band from San Francisco, California. During the 1980s the band gained a large underground following in the international punk music scene. Their music mixed the more experimental elements of English 1970s punk with the raw energy of the 1980s American scene. Dead Kennedys' songs mix the deliberately shocking lyrics of punk with a satirical and sarcastic left-wing commentary on social and political issues.

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MUTEMATH

MUTEMATH is an band which formed in New Orleans, LA, United States in 2003. They consist of Paul Meany (vocals, keytar, keyboards, samples), Roy Mitchell-Cárdenas (bass, percussion), Darren King (drums, samples), and Todd Gummerman (guitar, keyboards, backing vocals). Since MUTEMATH released its first EP in late 2004 and hit the road in 2005, their inherent nature has challenged limitations and expanded parameters.

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23 Skidoo

23 Skidoo cross , , , , and elements. The band had interests in martial arts, and drumming, Fela Kuti, The Last Poets, William S. Burroughs, as well as the emerging confluence of industrial music, and funk. 23 Skidoo was formed in North London, UK in 1979 as a post-punk trio. By 1980 they had grown into a quartet consisting of Fritz Catlin, Johnny Turnbull, Sam Mills and Patrick Griffiths.

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FGFC820

Formed in 2004, FGFC820 is the hard EBM project from well-known and respected New York City DJs Rexx Arkana and Dräcos. Drawing on joint and separate influences ranging from old school industrial to modern gabber, Arkana and Dräcos combine to create a sound that is at once melodic and relentlessly rhythmic. Their debut EP, "The Hanging Garden," was released in 2005. They have also contributed tracks to several "Endzeit Bunkertracks" samplers (alfa-matrix), "A Tribute to The Cure" (Equinoxe)...

Read more about FGFC820 on Last.fm.

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Steven Stapleton

Steven Peter Stapleton (born 3 February 1957 in Finchley, London, England) is a British musician and the only constant member of experimental improv outfit Nurse With Wound. He is often seen as one of the pioneers of the British industrial music scene, alongside bands such as Throbbing Gristle, Coil or Psychic TV, although in his music he has explored a wide range of styles, including free-form improvisation, folk, and even Latin American dance rhythms.

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Unter Null

Unter Null is an electronic music project formed by Erica Dunham in 1998 in Seattle, WA, now currently based in Hamburg, Germany. The official website is http://www.unter-null.net. Years of classical music training, a love for computers and technology, a tough-as-nails resolve, a fierce independent streak, and the compulsion to find catharsis through music led Erica to eventually form Unter Null at the age of 17. Unter Null has been and will always be Erica Dunham in the studio.

Read more about Unter Null on Last.fm.

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Zeromancer

Zeromancer is an industrial rock group with members from Norway. The core members of Zeromancer met in the influential Norwegian band Seigmen. During the 1990s this band dominated the national rock scene and even made a name for themselves outside the country by playing concerts abroad. When Seigmen split in 1999, Alex Møklebust (vocals), Erik Ljunggren (programming), Kim Ljung (bass guitar) and Noralf Ronthi (drums) joined forces with Chris Schleyer (ex-Kidneythieves) (guitar) as Zeromancer.

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Gum

Back in the late '80s, Melbourne's Andrew Curtis and Philip Samartzis collaborated in the aurally volatile project simply called Gum. With little expertise or training, the two gathered up what objects they were familiar with, in particular thrift store turntables and soiled records. Eschewing their original attraction to the giants of Industrial Culture, Gum quickly developed an aesthetic privileging the caustic rupture of skipping records and smoldering surface noise, predating the current avant-turntablist aficionados like Philip Jeck, Janek Schaefer, and Otomo Yoshihide.

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