psychedelic drone | Musicosity

psychedelic drone

Julia Holter

Julia Shammas Holter is a classically-trained keytarist from Echo Park. After infiltrating Human Ear Music headquarters dressed as an intern, she wrote and recorded her own release on the label. Her music is witty, surreal and optimistic. She plays without sarcasm in the terrains that divide sentimentality, passion, and control. Her songs are written instinctively, and treated with an off-kilter fastidiousness, working orchestral variety from minimal instrumentation.

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Richard Skelton

Since 2006, UK artist Richard Skelton has been releasing small run documentations of his own musical explorations through his Sustain Release label. These recordings are always exquisitely packaged, in materials and imagery that really invoke the feel of the recordings locked away on the discs.
Place and space play a big factor in Skelton’s creative process, transporting the listener to the environment in which the music was originally recorded.

Read more about Richard Skelton on Last.fm.

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Bee Mask

Bee Mask is the and music project of the Cleveland, Ohio, United States native Chris Benedetto Madak. Its established in 2004. Using oscillators built into glass jars, synthesizers, guitar, processing and other methods of experimentation, he brings next level white light sounds similar to, "that of Phill Niblock and Tony Conrad aspects of Ash Ra Tempel." http://bee-mask.tumblr.com

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Bear Bones, Lay Low

Bear Bones, Lay Low is the power drone project of Brussels-based Venezuelan Ernesto Gonzalez. He builds an energetic wall of sound with guitar fuzz, vocals, tapes and a bunch of effects. Despite of his live performances being scarce, he already got honours from the likes of Spencer Yeh, among others. A young and dynamic talent from da hood.

Bear Bones, Lay Low on Last.fm.

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Gareth Hardwick

Based in Nottingham, United Kingdom, Gareth Hardwick creates music that is at once rich and minimalist, dense and subtle. By manipulating the natural tones of his guitar with effects and loops he can deform and reshape the sounds generated by his instrument until you're no longer sure what you're hearing - an organ, a voice, or no recognisable instrument. Between abstract sounds, fragile and delicate melodies reveal themselves to you; finding yourself lost in intricate textures you are suddenly awoken by an absence of structure or sound, of something that one can hold on to.

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