no-wave | Musicosity

no-wave

jealousy mountain duo

Jealousy Mountain Duo — Two-man German band Jealousy Mountain Duo’s self-titled longplayer was released by experimental German label Blunoise, a perfect portmanteau of Jealousy Mountain Duo’s disparate ’60s jazz and noisy, math-rock influences. Jealousy Mountain Duo takes a deconstructivist approach to its experimental blend of post-modern jazz and mathy indie rock, its guitars looping looping and conflicting melodies, its drums working in and out of rhythms, eschewing any semblance of straightforward timekeeping for an abstract counterbalance to the swirl of notes and tones.

Read more about jealousy mountain duo on Last.fm.

Artist Type: 

Indian Jewelry

Further Notes Regarding Peel It
Peel another 40-hour-workweek off the stack gyrating in your hands. Strip it from the wad and make it drizzle on the sign twirler at the live-nude intersection - “We Buy Gold, We Sell Gold” the sign reads.

Peel the gold leaf off the holy headpiece, off the Temple Mount, off the Dome Rock. Lotto jackpots get shared.

Peel the radial Goodyear’s off pop’s Ford Exploder glazing doughnuts into every Texas lawn, sister. Peel the sod away, the drought sucks like a dry hump with two backs, brother.

Read more about Indian Jewelry on Last.fm.

Artist Type: 

Ike Yard

Influenced by their punk upbringing, avant-garde schooling, and no wave surroundings in early 80s NYC,- but not beholden to any genre - Ike Yard managed to create a new sound.
By tapping into equal parts the krautrock experimentation of Can, the Neue Deutsche Welle of DAF and the UK post-punk dub of PiL and Joy Division they created sounds and songs unique enough to catch the attention of Factory Records, who made them their first American signing.

Artist Type: 

Ut

Sprung from the downtown No Wave scene, Nina Canal, Jacqui Ham and Sally Young originated in NYC in December 1978. The inheritors of the fertile collision between rock, free jazz and the avant garde that first manifested itself in the Velvet Underground, Ut soon became a serious force within the New York music scene. The band were joined briefly by film-maker Karen Achenbach in 1979 before resuming as a three-piece and migrating to London in 1981.

Artist Type: 

Glenn Branca

Glenn Branca (born October 6, 1948 in Harrisburg, Pennsylvania) is an composer and guitarist. Branca studied theater at Emerson College in Boston in the early 1970s. While there, he began experimenting with sound as the founder of an experimental theater group called Bastard Theater. He moved to New York in 1976. His first encounter with the NYC music scene was with the N.DoDo Band whom he observed many times at their rehearsal space- Phil Demise's Gegenschein Vaudeville Placenter. This is where he first met jeffrey lohn who was playing electric violin with the N.

Artist Type: