Huford Brown aka U Brown is a reggae dj born in Kingston, Jamaica in 1956. He discovered Jamaican music by visiting local bars near the Treasure Isle studio with his father. He began mixing at the age of 15 for Philip Monroe at Sound Of Music. He became well known from his early hits such as ''Wet Up Your Pants Foot'' and ''Jah Jah Whip Them''. In 1975, he recorded his first album ''Satta Dread," which was released in Jamaica and England.
Junior Marvin (aka Junior Kerr aka Junior Hanson aka Julian Marvin) is a Jamaican born guitarist. Junior met Bob Marley on February 14, 1977 (Valentine's Day) and thereafter joined Bob Marley and The Wailers Band. After Bob Marley passed Junior carried on the music of The Wailers Band releasing albums ID, Majestic Warriors, Jah Message, and My Friends. Junior is commonly confused with Junior Murvin who also is a reggae artist.
Smiley Culture (real name David Emmanuel) was a British reggae singer and DJ. Although his period of fame and success was brief, he did produce two of the most critically acclaimed reggae singles of the 1980s. Emmanuel, born and raised in South London, is the son of a Jamaican father and South American mother. He was educated at Tulse Hill School. Prior to his recording career he worked as a DJ with the Saxon Studio International reggae soundsystem, where he met and worked with a number of other reggae artists, including Maxi Priest, Papa Levi and Tippa Irie.
Al Campbell (born 31 August 1954, Kingston, Jamaica) is a Jamaican reggae singer active since the late 1960s. Biography: Campbell's singing career began in church, where his father was a preacher, and Al would sing to raise funds. He went to school with Lloyd James (aka Prince Jammy) and formed a vocal group with friends as a teenager, called The Thrillers, who recorded in the late 1960s for Studio One.
Cocoa Tea (Calvin Scott) born in Rocky Point, Clarendon was one of many vocalists who emerged from the dancehall 'explosion' of the early 80's in Jamaica. His honeyed voice brought him a healthy following with a marvellous vitality and purity of vocal tone.
He has recorded with most of the top producers on the island at one time or another and his body of work includes; 'Lost Me Sonia', 'Rocking Dolly', 'Good Life', 'Heathen' and countless others worth checking out.
Jah Thomas was an important figure on the Jamaican music scene during both the roots era of the '70s and the subsequent dancehall decade of the '80s. Besides releasing several DJ sides of his own in the latter half of the '70s, Thomas also came into his own as one of the island's top producers for both singers and DJs. Many of these sides found their way to the dub studios of King Tubby, who transformed a wealth of Thomas' rhythms into a some of the best dub tracks to emerge from Jamaica.
There are multiple artists named Wayne Smith. The fIrst (born in Waterhouse, Kingston, Jamaica, on December 5, 1965) is a Jamaican reggae musician. His 1985 recording of "(Under Me) Sleng Teng", is generally regarded as the beginning of ragga style reggae. The rhythm was created on a Casio Music Box and is based on the riff from Eddie Cochran's Something Else. The second Wayne Smith is a Leeds-based electronic producer also known for his work on synth in Solus Locus.
There are at least 2 bands with the name Dillinger 1. Dillinger (born Lester Bullocks on January 25, 1953) is a prominent reggae artist. Dillinger was part of the second wave of DJ Toasters who sprung up around Jamaica during the mid 1970s. Inspired by Big Youth, U Roy, and Dennis Alcapone, Dillinger was known for his quick wit, humorous lyrics and vulgar content ("crab in my pants"). As a youth growing up in Kingston, Jamaica, Dillinger would hang around Dennis Alcapone's El Paso Setup. This exposure would eventually lead to a full time gig at Jackie's sound system.
Borrowing his stage name from the popular TV Western hero of the same name, the Lone Ranger was one of Jamaica's most influential early dancehall DJs. He helped pioneer a newly rhythmic, on-the-beat rhyming style that led DJ toasting into the modern age, and punctuated his lyrics with bizarre exclamations and sound effects ("bim" and "ribbit" were his favorites) that made him perhaps the most imaginative stylist of his time.