Rhythmic Noise

SANdBLASTING is from 1997 the solo project of Luca Torasso. At nowdays with this project: have been released 6 offiical album; unreleased tracks on various compilations ( ElektroAnschlag, Schlagstrom, Rustblade's Tribute To Pier Paolo Pasolini, Chew-z, ..... ); remixed artists as No More, Hanin Elias, Manufactura, xotox, Cervello Elettronico, Bahntier, Detune-x, ... ; played in various festival and clubs ( ElektroAnschlag, Schlagstrom, Slimelight, Jazz Rebel Fest, Street Rave Parade, No Vapour, No Human No Cry, .

1) Born in 1976 in the midlands of southern Italy, Paolo Picone aka Peak, started his musical activites in 1991, as a drummer at the age of 15. In 1995 he began to compose electronic music with samplers, drum machines and midi sequencers. He founded the Mou project in 2001, hailed by the press as one of the most important dub'n' bass live bands in Italy. One year later Mou started performing live at the main italian alternative clubs and festivals like ArezzoWave, Leoncavallo, Officina99, Agricantus, with a tour numbering over 50 gigs in all italian regions.

Read more about Peak on Last.fm.

Since 1998 Norwegians John Hegre and Lasse Marhaug have been making sound together as Jazzkammer. Debut album "Timex" in 1999 have been followed by a string of releases on labels like Staalplaat, Abisko, Xerxes, Smalltown Supersound, Utech, Bottrop-Boy and OHM Records, as well as touring and playing shows around the world. Remixed by friends on the "Rolex" CD in 2001. Live collaboration CD with Merzbow later the same year. Have done music for theatre and dance performances. Visited and worked in Singapore during the SARS-crisis in spring 2003, but survived.

C/A/T (aka Chaos And Terror) was started in early 1999 by Crunch Pod label head, Ben Arp, as an experimental industrial project. Over the next 10 years C/A/T released four albums and four EPs and has made a number of compilation and guest remix appearances. C/A/T has also been very active as a live act - including a US Tour in 2008 supporting Unter Null and having shared a stage with a diverse range of acts running the range of electronic/industrial from Terrorfakt to Covenant.