Canterbury | Musicosity

Canterbury

Anthony Moore

Having studied Indian classical music with Viram Jasani in 1969, Anthony Moore composed his first movie soundtrack for David Larcher's "Mare's Tale". It involved extensive use of magnetic tape (time/pitch shifts, layering, splicing, loops, feedback). Since then he has created a number of soundtracks for European, independent movies, many of which have won international awards. In 1970 he moved to Hamburg where Polygram recorded three albums of his work, "Pieces from the Cloudland Ballroom", "Secrets of the Blue Bag" and "Reed, Whistle & Sticks", for voices, strings, woodwind and percussion.

Read more about Anthony Moore on Last.fm.

Artist Type: 

Robert Wyatt

Robert Wyatt, born Robert Ellidge, in Bristol on 28 January 1945, is an English musician, and a former member of the influential Canterbury scene band Soft Machine. As a teenager, he lived with his parents in a fourteen-room Georgian guest-house, Wellington House, in Lydden near Canterbury. Here he was taught the drums by visiting American jazz drummer George Niedorf. In 1962, Wyatt and Niedorf moved to Majorca where they stayed with the poet Robert Graves. The following year, Wyatt returned to England and joined the Daevid Allen Trio with Daevid Allen and Hugh Hopper.

Artist Type: 
Audio : 

Gong

Gong are a progressive rock band formed by Australian musician Daevid Allen. Their music has also been described as space rock. The various incarnations of Gong, its spin-offs and related bands are collectively dubbed the "Gong Global Family". They were formed in 1967, after Allen - then a member of Soft Machine - was denied entry to the United Kingdom due to a visa complication. Allen remained in France where he and a London-born Sorbonne professor, Gilli Smyth, established the first incarnation of Gong.

Artist Type: 
Audio : 

Khan

Khan reffers to three artists: (1) Khan was an English progressive rock band of the Canterbury Scene during 1971-1972. Formed by Steve Hillage, the initial line-up was Steve Hillage (guitar), Nick Greenwood (bass guitar), Dick Henningham (organ) and Pip Pyle (percussion). They recorded only a single album "Space Shanty" which was released in 1972. They disbanded in 1974. Steve Hillage went on to record "Fish Rising" which contains material that would have been done by Khan had they not broken up.

Artist Type: 
Audio : 

Caravan

Caravan is a British progressive rock band from Canterbury, United Kingdom, founded by former Wilde Flowers members David Sinclair, Richard Sinclair, Pye Hastings and Richard Coughlan. Caravan rose to success over a period of several years from 1968 onwards into the 1970s as part of the canterbury scene which also included Soft Machine. Caravan still continue a part-time gigging existence into the present. A feature of the Canterbury sound is the blending of psychedelia.

Artist Type: 

Keith Tippett

Keith Tippett is an English pianist, composer, bandleader, and musical educator in the fields of jazz and other improvisational music. Tippett’s work ranges from his free improvisation as a solo pianist and with duos and small groups such as the quartet Mujician, to compositions for, and performances with, contemporary classical groups (including the Composers’ Ensemble, Kokoro, and the Kreutzer String Quartet) and large-scale works for jazz orchestra.

Artist Type: 

Syd Arthur

Syd Arthur are an exciting new band from the South East of the country, at the forefront of the young musical explorers whose unique sound has been making waves far beyond their native Canterbury. Their highly eclectic sound encompasses folk, world, psychedelic, jazz, prog and rock music, showcasing original song writing, inter-weaved with instrumental freak-outs. “A melting pot of funk, soul, progressive rock, jazz and psychedelia – not to be missed!” – Furthur Productions

Artist Type: 
Audio : 

Nucleus

There are at least four bands/artists called Nucleus: *** Nucleus were a pioneering jazz-rock band from the U.K., who continued in different incarnations from 1969 to 1985. In their first year they won first prize at the Montreux Jazz Festival, released their first album (Elastic Rock), and performed both at the Newport Jazz Festival and the Village Gate jazz club. They were led by Ian Carr, who had been in The Don Rendell & Ian Carr Quintet during the mid and late 1960s, and has been a respected figure in British jazz for more than forty years.

Artist Type: