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avant garde

Glenn Branca

Glenn Branca (born October 6, 1948 in Harrisburg, Pennsylvania) is an composer and guitarist. Branca studied theater at Emerson College in Boston in the early 1970s. While there, he began experimenting with sound as the founder of an experimental theater group called Bastard Theater. He moved to New York in 1976. His first encounter with the NYC music scene was with the N.DoDo Band whom he observed many times at their rehearsal space- Phil Demise's Gegenschein Vaudeville Placenter. This is where he first met jeffrey lohn who was playing electric violin with the N.

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Gorguts

A highly technical and avant-garde band, Gorguts was formed in 1989 by Luc Lemay (guitar/vocals), Sylvain Marcoux (guitar), Eric Giguere (bass) and Stephane Provencher (drums) in Sherbrooke, Quebec, Canada. They recorded a demo in 1990 entitled "And Then Comes Lividity", and then in 1991 released "Considered Dead" on Roadrunner, their first full length of death metal. The release was very promising, and even included a guest guitar solo by James Murphy and guest vocals by Chris Barnes.

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Graham Dunning

Graham Dunning is a sound and visual artist based in the UK. His sound sources include pressed to dubplates; modified records; adapted playback equipment such as reel-to-reel tape players, turntables and Walkmans; found sounds, especially discarded footage of people's home recordings; home made electronics; broken cymbals and other metal objects; and inexpensive delay units.
The recordings themselves take influence from , , , , and music.

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Supersilent

Supersilent is a Norwegian / group from Oslo, Norway, formed in 1997 and signed on Rune Grammofon. The band reportedly never rehearse together or communicate about their music outside of live sets and studio sessions. Supersilent was formed when the trio Veslefrekk (Arve Henriksen on trumpet, keyboardist Ståle Storløkken, and Jarle Vespestad on drums) played a concert with producer, artist and self-described "audio virus" Helge Sten (a.

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Thin Green Candles

Thin Green Candles are an strange electronic/avant-garde/dance collective from Oxford, England. TGC started out in 2008 as a solo project by Fred Toon who had been a follower of the local music scene for some years. To convert the sound to a live setting Fred enlisted the help of Joe Chapman from fellow Oxford band Spiral 25 on drums plus local musicians Leigh Alexander & James Serjeant from Beaver Fuel and Drunkenstein on bass guitar and guitar.

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The Colours Will Erase Us

The Colours Will Erase Us a Scottish / band formed in 2010. The band is inspired by the likes of Earth, Khanate and Sunn O))), as well as Chomskyan linguistic theory and Burroughs' cut and splice ideas. Some songs feature no discernible beat and most are played at a slow pace, using repetition to induce feelings of unease or relaxation depending on the mood of the listener at the time.

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(a is to b)

After being a Scottish one person (Neil Morrison, The Colours Will Erase Us) project for a year (a is to b) have stepped up to being a duo with the addition of trans continental import Marta Adamowicz (MAdam, Gay and Immigrant). A now more experimental electro act, based in Glasgow. Taking inspiration from Lorn, Boards of Canada, The Knife, Crystal Castles and Aphex Twin. Ep available from Black Lantern Music Youtube

Read more about (a is to b) on Last.fm.

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Jazkamer

Since 1998 Norwegians John Hegre and Lasse Marhaug have been making sound together as Jazzkammer. Debut album "Timex" in 1999 have been followed by a string of releases on labels like Staalplaat, Abisko, Xerxes, Smalltown Supersound, Utech, Bottrop-Boy and OHM Records, as well as touring and playing shows around the world. Remixed by friends on the "Rolex" CD in 2001. Live collaboration CD with Merzbow later the same year. Have done music for theatre and dance performances. Visited and worked in Singapore during the SARS-crisis in spring 2003, but survived.

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Arto Lindsay

Arto Lindsay (born May 28, 1953, Richmond, Virginia) is an American , , record and . He's probably best known as a founding member of the influential band DNA, though his work after DNA has been quite prolific. He has a distinctive soft voice and an often noisy, self-taught guitar style comprised almost entirely of extended techniques, described by Brian Olewnick "studiedly naïve ... sounding like the bastard child of Derek Bailey"; his guitar work is contrasted frequently with gentler, sensuous Brazilian music themes.

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