vocal house | Musicosity

Barbara Tucker

Ms. Barbara Tucker was raised in full energy in good old Brooklyn, New York. Raised in the church and still attending is where Ms. Tucker found her love for singing, as well as having a little help from her entertainer Father Jayotis Washington of the well-known group The Persuasions. As an actress, Ms. Tucker has performed in various off-Broadway plays which allowed her to receive the "T.O.R." award through the American Theater for actors for most promising actress with distinguishing artiste. As a dancer, Ms.

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Grant Nelson

Grant Nelson (born April 27, 1971, in England) is a DJ, producer and remix artist. Grant is heralded as one of the godfathers of UK Garage due to his numerous club hits on his Nice 'n' Ripe record label in the early 90's. It was his sound along with a few others that gave birth to the then known as 'Sunday Scene' which went on to become UK garage. He also produced under the name Wishdokta from 1990-1993 when he was making Hardcore / Drum 'n' Bass for the legendary London label Kickin Records.

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Hard Rock Sofa

Hard Rock Sofa is a popular Russian duet famous all over the world. They are great DJs and producers whose tracks always blow up the dancefloors of clubs, fests and raves. Their unique sound and style achieved by hard work and outstanding talent keep conquering the hearts and souls of clubheads worldwide which results in releases on famous house music labels proving that Russian house music DOES exist.

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Adeva

Adeva (born Patricia Daniels in 1960) is a female African American house music and R&B artist from Paterson, New Jersey, United States, and the youngest of six children. Her style ranges between diva vamp and gospel ballad, and earned her a couple of well-deserved top 20 hits in 1989. Her solo releases never topped the charts but her performances on an album by dance heavyweight Frankie Knuckles were received with acclaim. Adeva was always huge in the dance clubs in both the UK and USA. In 1996 EMI Gold released the compilation "Ultimate Adeva" to showcase her work hitherto.

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Rui Da Silva

Rui da Silva is a Portuguese producer and DJ, whose single "Touch Me" (featuring the vocals of Cassandra Fox) topped the UK Chart in 2001. At the time, he was the only Portuguese musician to have a UK hit and hence was the first to score a UK number one. Rui started producing house music in 1992, just as club culture was getting established in Lisbon. Noticing the lack of dance music labels in Portugal, Rui teamed up with DJ Vibe to form Kaos Records, the first label in Portugal specialized in house and electronic music.

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Paul Glazby

Paul Glazby has developed from being one of the "players" in the northern Hard House scene to a DJ/producer of national eminence. He began his career in Sheffield, and now tours the country bringing his style of music to an ever widening audience. He has risen from nowhere to playing and holding his own alongside the likes of Andy Farley, Tidy Boys, and Anne Savage. A recent project of Paul's was the release of his Hard House track Kick It on his own label Vicious Circle Recordings.

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Rozalla

Rozalla (born Rozalla Miller on March 18, 1964 in Ndola, Zambia) is a female Pop/Soul/Dance music performer from Zimbabwe. She is best known for her 1991 hit Everybody's Free (To Feel Good). Her subsequent club success has earned her the title "Queen of Rave". Rozalla first came on the scene in the 1980s in Zimbabwe, the country she had moved to from her birth country. Her singles charted well in the area and english producer Christopher Sergeant took her to London in 1988. She later started living there and Christopher became her manager.

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i bet you wish you was black too

listen while its sunny and you feel like driving

wellington flash black

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Quentin Harris

Born and raised in Detroit, Quentin Harris came of age inspired by many of the legends of his hometown. Motown, Prince, P-Funk and of course, early techno instilled in Harris, a love of all forms of music. Today, he is recognized as one of the leaders in the field of deep house. It has been said that his work re-vitalized what had become a saturated and tired genre. Indeed Harris resists the very notion of working within genre parameters.

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