Sun Control Species
Sun Control Species is Andrew Davidson (aka Drooid and Wombat), a progressive psytrance artist from Melbourne, Australia. He has become a standard amongst the australian trance scene since the turn of the millenium. A fully accredited musician and engineer, working from '98 to 2000 as a commercial sound engineer and producer in Sydney, he eventually left to pursue his own music career. After deciding against joining a 'boy band' the project SCS was born.
BobaFatt
DJ Steve
DJ Steve is a young producer from the Bay Area. Born and raised in Ohio, he was heavily influenced by cattle and other farm animals. After college, he moved to Oakland to begin his career in the rap industry. His work is often compared to that of Traxamillion and J Dilla.
Son Lux
Son Lux is Ryan Lott. His debut recording, At War With Walls and Mazes (2008), earned him the title of "Best New Artist" by NPR's All Songs Considered. In 2011 he followed up this release with We Are Rising which Consequence of Sound described as “the dark, operatic middle ground between Owen Pallett and In Rainbows-era Radiohead or Wild Beasts’ fantastic, operatic heights.” In the last 4 years Lott has built an impressive list of collaborators including everyone from indie-rock darlings such as Sufjan Stevens...
King Britt
King Britt is a pioneer of all things soulful, rhythmically textured and melodically provocative. This Philadelphia native has found a way to escape the strictures of a single category of music by expressing his creations through deep house, hip-hop, broken beat, nu-jazz, funk and afro-tech. Whether it’s film scoring for Hollywood, rocking the playa at Burning Man or consulting for the leading urban lifestyle brands, there are no limits to what King Britt will do next.
The Migrants
Paul De Homem-Christo, brother of Guy-Manuel de Homem-Christo of Daft Punk.
Eddy Temple Morris
Telephoned
Telephoned was born one night in Brooklyn when DJ/producer Sammy Bananas and singer/party starter Maggie Horn decided to record their own version of T-Pain's "Can't Believe It." Their track was neither remix nor cover - instead, the duo fashioned a postmodern take on both, warping the original beat into a hypnotic club track and bringing out the dreamy qualities only hinted at in Pain's auto-tuned melodies.