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Lonnie Liston Smith & The Cosmic Echoes

Lonnie Liston Smith, Jr. (born December 28, 1940 in Richmond, Virginia) is an American jazz, soul, and funk musician who played with important free jazz artists such as Pharoah Sanders and Miles Davis before forming Lonnie Liston Smith And The Cosmic Echoes, recording a number of albums widely regarded as classics in the fusion / Quiet Storm / smooth jazz and acid jazz genres. Lonnie was born into a musical family; his father was a member of Richmond Gospel music group The Harmonizing Four...

Read more about Lonnie Liston Smith & The Cosmic Echoes on Last.fm.

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Thundercat

Thundercat is a pseudonym of Stephen Bruner, a member of legendary s Suicidal Tendencies (since 16 years of age), a protégé of Steven Ellison (aka Flying Lotus), virtuoso bassist, composer, producer and singer. Bruner has collaborated with many, including: a stint with German boy band No Curfew, jams with Snoop Dogg and Stanley Clarke. “I do believe that hip-hop can be the new jazz, and I’m helping create that”, Bruner said in an interview to Bass Player, in 2008.

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Cornell Campbell

Cornell, or Cornel, Campbell started recording in 1956, cutting shuffle and early ska tunes like "My Treasure" and "Don't Want Your Loving" at the ubiquitous Studio One for Coxsone Dodd. His singing style is delicate and ephemeral, making heavy use of falsetto. His stint at Studio One produced some beautiful tunes like Stars, Queen Of The Minstrels, Magic Spell, Trick In The Book and many others. His sister, Cecille Campbell, also sang at Studio One and was a member of the Soulettes with Rita Marley.

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Barzin

Barzin is a Canadian singer-songwriter named Barzin Hosseini. Slow and melancholic, introspective and confessional: These words in some ways describe the sound of Barzin. A project that began sometime in 1995, Barzin was a solo endeavor at its inception. But somewhere along the way it shed its solitary skin allowing a wide array of characters into it’s sound. From amongst a rotating cast of musicians, who occasionally made appearances on recordings and at performances, three individuals slowly became a fixture of this project.

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