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jazz

George Shearing

George Shearing (13 August 1919 – February 14, 2011) was a well-known jazz pianist and inventor of the famous "Shearing Sound": a form of smooth cocktail jazz characterised by block chords played on the piano along with similar chords played on the vibraphone.
Shearing was born blind and started to learn piano at the age of three. After limited training and extensive listening to recorded jazz, he began playing at hotels, clubs and pubs in the London area, sometimes solo, occasionally with dance bands.

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Sharon Jones and the Dap-Kings

Sharon Jones & the Dap-Kings are a funk/soul band. They are signed to Daptone Records, where the dap-kings are the house band. They are widely thought to be spearheads of a revivalist movement that aims to capture the essence of funk/soul music as it was at its height in the mid-1960s to mid-1970s. Part of the way this is achieved is to shun modern digital recording methods in favour of using traditional analogue recording equipment. The type of instruments used by the band may also be considered limited to those that would have been available up until the mid seventies.

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Ernest Ranglin

Ernest Ranglin (born June 19, 1932) is a famous Jamaican guitarist. As a child, Ranglin played ukulele, then guitar in his teen years. Charlie Christian was an early influence. Ranglin played on many classic recordings, with Jimmy Cliff, Monty Alexander, Prince Buster, The Skatalites, and others. Ranglin toured extensively with the Eric Deans Orchestra, one of the top bands in the Caribbean. In 1958, Chris Blackwell recorded a Ranglin single; it was the first Island Records release.

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Farmers Market

The band plays a virtuoso and humorous fusion of jazz and bulgarian folk music with influences by rock, pop and oriental music on a very high technical level. It was formed in Trondheim, Norway in 1991 by four students of the Jazz Department at the Conservatory of Music of Trondheim. Saxophonist Haavard Lund left the band during fall of 1995 and Trifon Trifonov from Bulgaria joined as new saxophonist in December 1995. Line Up:
Stian Carstensen: accordion, guitar

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Nila Raja

At just 22 Goldsmiths’ graduate Nila is an Emerging Artist in Residence at Southbank Centre, London and has worked with Nitin Sawhney, Mad Professor, Max Moya (Ojos de Brujo), Jason Yarde , Seb Rochford and [artist]John Paul Jones (Led Zeppelin) as well as singing as a soloist with the BBC Philharmonic Orchestra. As a classically trained musician and singer, Nila’s performed in an impressive array of established venues including Royal Festival Hall, Royal Albert Halls, Millennium Dome, Bridgewater Hall, Cargo, 93 Feet East, Brighton’s answer to SWSW Great Escape (2008).

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Dusty

There is a few artists with the name Dusty: 1) The pseudonym for the eurobeat artist Ennio Zanini, better known as Fastway, who is part of Go 2. He is on the ScP label. More info at http://www.scp-music.com/dusty.htm. 2) German producer and owner of the Jazz&Milk Recordings label. The following albums are by this artist: Jazz & Milk, An Exotic Breed, Keep It Raw EP & Keep It Raw Remixed. 3) From Spain on the intoxik Limited label. 4) Unsigned American singer songwriter.

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PooP

There is more than one artist with this name: 1) Poop began back in 1993 when Scott Hoogland (The Mechanics, Shadows, La Mort & The Weasels) and Rikk Agnew (The Adolescents, D.I. & Christian Death) decided they wanted to start a band that had no limitations. They enlisted the label, Posh Boy, to put out their first single. Official Website
Official MySpace Page
2) Poop is a band from, Troy, New York, United States. X-members of Section 8.

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Lanu

New Zealand-born, Melbourne-based producer Lanu (aka Lance Ferguson) marks a distinct departure from the raw, deep funk of his other project, The Bamboos.
Brimming with future soul and broken beat flavours, forward-thinking production and intuitive jazz sensibility, Lanu’s sound has been informed and inspired by the digital rhythms of West London and Detroit.
Ferguson has drawn on his experience as an international DJ and performer to create an album with enough depth and versatility to work just as well on a decent set of headphones as it does on a club soundsystem.

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