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John Harle

John Harle (born 20 September 1956 in Newcastle upon Tyne) is an English saxophonist and composer. Attracted to minimalist music, he became a founding member of the Michael Nyman Band, with which he performed from 1981-1999. Harle was educated at the Royal Grammar School, Newcastle and traces his love of history to being taught there by William Feaver, now The Observer's art critic. Harle heard alto saxophonist Johnny Hodges perform with Duke Ellington's band in the early 1970s,and this was one of his childhood influences...

Read more about John Harle on Last.fm.

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Alex Wilson

There are two artists with this name. 1. Alex Wilson is a Blues guitarist who picked up the guitar at five years old and never put it down. Immersed in the Milwaukee blues scene, Alex was surrounded, and influenced by such local luminaries as Stokes, Lee Gates, Jim Liban and Milwaukee Slim. Alex formed his own garage band at thirteen. By seventeen he began to dig deep into the blues, learning the songs and styles of masters such as Muddy Waters, Howlin' Wolf, Little Walter, Buddy Guy, Jimi Hendrix and Magic Sam.

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Paul Dunmall

Paul Dunmall (born in Welling, London, UK) is a British jazz saxophonist who plays tenor saxophone and soprano saxophone as well as some more unusual instruments such as the Saxello and the Northumbrian Pipes. He has been a leading light on the international free improvisation scene for a great many years. Most of his prolific recorded output is available on the Duns Limited Edition label (see http://www.mindyourownmusic.co.uk/duns-lake.

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Ralph Bowen

Saxophonist Ralph Bowen has made his mark on the New York jazz scene for over two decades, while bringing his "casual perfectionism" to clubs, concert halls, and festivals worldwide. Bowen's discography of over 50 titles includes collaborations with Orrin Evans, Michel Camilo, and Horace Silver. As an Associate Professor of Jazz Studies at Rutgers University, composer/arranger, and performer, Bowen's impact and audiences continue to expand.

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Julien Lourau

Born in 1970, Julien Lourau attentively listened to contemporary currents. Like a whole generation which grew up listening to fusion bands of the ‘70’s and the ‘80’s, the saxophonist naturally evolved in mixed sounds of his time. His first experiences alongside Noël Akchoté and the Bosnian pianist Bojan Zulfikarpasic in Trash Corporation actually reflect a creative ardour, a refusal of dogmas. We may find in it free influences, Ornette Coleman’s harmolody, a rock energy and a lot of freedom.

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ROVA

The experimental jazz zeitgeist of the 1960s and 1970s made possible any number of unconventional instrumental groupings. The basic horn-piano-bass-drums lineup of the modern jazz era lost its mandate, as more musicians searched for fresh and unusual sonorities. Ornette Coleman's bands did away with the piano; Cecil Taylor's trio with Jimmy Lyons and Sunny Murray eliminated the bass. Musicians associated with the Chicago-based AACM occasionally did away with one or more (or all) elements of the rhythm section; for example, in its first incarnation the Art Ensemble of Chicago had no drummer.

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Billy Cobham

Billy Cobham, born May 16, 1944 in Panama, is one of the world's most influential drummers, best known for his jazz fusion in the 1970s, with John McLaughlin's Mahavishnu Orchestra, where he pioneered a powerful style of drumming with jazz, rock and funk influences. He is the first drummer to unseat Buddy Rich in the Down Beat music polls. Cobham has played and recorded with hundreds of top musicians, including Miles Davis, Freddie Hubbard, Larry Coryell, and Horace Silver; and is famous for his explosive, fast, spectacular playing.

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James Carter

Born in Detroit, Michigan, in 1969, James Carter began playing saxophone at age 11, first recorded with a Detroit student ensemble in 1986 and, by 1991, had recorded with legendary trumpeter Lester Bowie on The Organizer and contributed to the 1991 collection The Tough Young Tenors. Mastering a family of reed instruments, from sopranino to contrabass saxophones to contrabass and bass clarinets, James Carter mesmerized the jazz world after arriving in New York City in 1988 to play under the auspices of Lester Bowie.

Read more about James Carter on Last.fm.

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