20th Century Classical | Musicosity

20th Century Classical

The Philip Glass Ensemble

The Philip Glass Ensemble is a musical group founded by composer Philip Glass in 1968 to serve as a performance outlet for his experimental music. The Ensemble's instrumentation became a hallmark of Glass' early style. After Glass wrote his first opera, Einstein on the Beach, for the Ensemble in 1976, he began to compose for other instrumentation more frequently. While the Ensemble's exact instrumentation has varied over the years, it has generally consisted of amplified woodwinds, keyboard synthesizers, and solo soprano voice (singing solfege).

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Conlon Nancarrow

Conlon Nancarrow (b. October 27, 1912, Texarkana - d. August 10, 1997, Mexico City) was an American-born composer who lived most of his life in Mexico. Nancarrow is remembered almost exclusively for the pieces he wrote for the player piano. He was one of the first composers to use musical instruments as mechanical machines, utilising their capacity to play complex polyrhythms at tempos far beyond human performance ability.

Read more about Conlon Nancarrow on Last.fm.

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Eric Coates

Born in Hucknall, Notts., 27th August 1886, Eric Coates belonged to a musical family. He studied at the Royal Academy before playing viola under Sir Henry Wood's baton in the Queen's Hall Orchestra. Chronic pain forced him to give up viola, and he concentrated on his considerable powers as a composer. Much of his music is still well-known, such as the theme of ''Dambusers"The Dam Busters March ; the signature tune to Radio Four's 'Desert Island Discs' By the Sleepy Lagoon and the BBC's "Music While You Work" signature tune(1940-1967)Calling All Workers .

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John McCabe

John McCabe CBE (born 21 April 1939, Huyton, Merseyside) is an English composer and pianist. A prolific composer from an early age, John McCabe had written thirteen symphonies by the time he was eleven. After studies in Manchester and Munich he embarked upon a career as a composer and virtuoso pianist (he still tours internationally as a recitalist). He has worked in almost every genre, though large-scale forms lie at the heart of his catalogue with five symphonies, fifteen concertante works and eight ballet scores to his name.

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Kurt Weill

Kurt Julian Weill (March 2, 1900 – April 3, 1950), born in Dessau, Germany and died in New York City, was a composer active from the 1920s until his death. He was a leading composer for the stage, as well as writing a number of concert works. Over fifty years after his death, his music continues to be performed both in popular and classical contexts. In Weill's lifetime, his work was most associated with the voice of his wife, Lotte Lenya...

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Franz Waxman

Franz Waxman (December 24, 1906 – February 24, 1967) was a Jewish German American composer, known for his bravura Carmen Fantasie for violin and orchestra, based on musical themes from the Bizet opera Carmen, and for his musical scores for films. Waxman was born Franz Wachsmann in Königshütte (Chorzów) in the German Empire's Prussian Province of Silesia. He orchestrated Frederick Hollander's score for the 1930 film Blue Angel (1930) and wrote original scores for several German films in the early 1930s.

Read more about Franz Waxman on Last.fm.

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Aldo Clementi

Aldo Clementi (25 May, 1925 - 3 March, 2011) was the last survivor of the great generation of Italian postwar musical avant-gardists. He was also its quietest and most self-effacing member, both personally and musically. After a hesitant start, he developed a technique that allowed him to produce works as calmly consistent in sound and technique as a Renaissance motet, and some would say just as beautiful.

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Maurice Duruflé

Maurice Duruflé (11 January, 1902 in Louviers – 16 June, 1986 in Paris) was a French composer, organist and pedagogue. In 1912, Duruflé became chorister at the Rouen Cathedral Choir School, where he studied piano and organ with Jules Haelling. At age 17, he moved to Paris. He took private organ lessons with Charles Tournemire, whose assistant he was at Ste. Clotilde until 1927. In 1920, Duruflé entered the Conservatoire de Paris. Duruflé left the Conservatoire with first prizes in organ, harmony, piano accompaniment, and composition.

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