the terrorist
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Robot Koch
Berlin based producer Robot Koch is the mastermind behind the critically acclaimed Jahcoozi and post rock/hiphop outfit The Tape vs RQM.
If he`s not on tour with Jahcoozi or Djing somewhere in the world he still finds time to produce and remix other people and write music for film scores. He made beats and remixes for artists like Infinite Livez (Ninja Tune/Big Dada) Justine Electra (City Slang), Raz Ohara (Kitty Yo), Data Mc (Hamton), Al Haca (Klein) and Christopher Wiltis (Ghostly International), Rustie (Stuff Records) and Amanda Blank (downtown rec).
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Ghost Town
5 piece hardcore/metal band from the Gold Coast, Australia. Sam - Vocals
Daniel - Guitar
Chris - Guitar
Jackson - Bass
Shaun - Drums Taking influences from such bands as Converge, Trap Them, etc...
They have played countless local shows.. Toured Australia, New Zealand, Malaysia & Singapore. Releases:
This Is The Way The World Ends - EP (2008)
Calamities - Album (2010) Ghost Town is with Deadsouls records
http://www.myspace.com/deadsoulsrecords www.myspace.com/thisisghosttown
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Vulture Industries
Vulture Industries explore a gloomy musical landscape. With their doomy, progressive and different approach to metal they’ve stood out in the Bergen, Norway music scene since the band formed in 2002. Their sound is a unique mix of extreme, melodic, symphonic, industrial and slightly experimental metal. Although Vulture Industries is quite a young band, they hold signifcant musical experience, and consists of current and former members of Sulphur, Black Hole Generator, Malice In Wonderland, Enslaved (session), Taake (session) and Syrach.
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M.O.T.O.
MOTO stands for Masters Of The Obvious. Pretty much it's Paul and whoever is playing with him at the time. Some people think Paul's lyrics are too dirty but most people think they are funny. MOTO write songs that are catchy. That's all that really matters. It all got started in the early 80's in New Orleans. But then Paul moved somewhere else. MOTO have released dozens of albums, some cassette only, some CDs, some are little vinyl discs like this one. You've probably never heard of MOTO. It's a good thing that now you know.
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Fireballs
“Technicolour rock, in the age of beige” Beat magazine Fireballs are recognised by many as Australia’s first and foremost psychobilly band, a reputation credited to their early beginnings and their present longevity. From inception the idea was to capture a flavour that would recognise their original rockabilly roots and their love of playing hard ‘n’ fast. Heavily influenced by double bass driven international bands, such as The Stray Cats, Batmobile, Mad Sin and the Klingonz, Fireballs ambitiously aimed to carve out their own niche in a smaller Melbourne scene.
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Los Carniceros del Norte
At the end of 2006, Txarly Usher, Nando Fausto and H. Zombie celebrates a secret meeting inside a cold-storage room. The mission was to make a conceptual record paying tribute to their favorite movies, recapturing the essence of the nerve and the direct thing as way of liberation. This way there are born Los Carniceros del Norte and their album
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project serendipity
The starting point was naïvely experimenting with old guitar pedals. Pulling the power out and sampling the noise, plugging the output back into the input and listening to my pedals scream.
A teenage love of all things Crackle, Zip and Bleep. Pretty quickly I found out about computers, and their boisterous potential. That was eight years ago, since then I've had material released by Crazy Fungus Records (US), Dance Like No Ones Watching (UK), Quiet Design (US) and Hollow Soul Records (UK).
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Mary Ocher
There used to be a time when musicians were not afraid to dare. Ocher is a proud bright link in that chain. new instruments, styles, trials. Born Mariya Ocheretianskaya in Moscow, former Soviet Union in 1986, grew up in Tel Aviv, currently resides in Berlin.
Has recorded "War songs" in early 2009 at home and re-recorded the very same album for the Berlin based label Haute Areal in 2010. it was released on March 11th 2011.
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Fatima Al Qadiri
Fatima Al Qadiri is a Brooklyn-based composer, musician, curator and artist. Born in Senegal, Al Qadiri's exposure to the rampant misappropriation of Western subculture while growing up in Kuwait is apparent in her highly virtuosic body of work. She has performed her symphonic and plaintive baroque electronic compositions at The Kitchen, Gallery 179 and Santos Party House and has regularly exhibited multimedia projects in New York City and Kuwait alongside fellow iconoclasts Khalid Al Gharaballi and Lauren Boyle.
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