Sir Michael Kemp Tippett, O.M. (2 January 1905 – 8 January 1998) was one of the foremost English composers of the 20th century. Tippett was regarded by many as an outsider in British music, a view that may have been related to his early conscientious objection and his homosexuality. His pacifist beliefs led to a prison sentence in World War II, and for many years his music was considered ungratefully written for voices and instruments, and therefore difficult to perform.
Franz Waxman (December 24, 1906 – February 24, 1967) was a Jewish German American composer, known for his bravura Carmen Fantasie for violin and orchestra, based on musical themes from the Bizet opera Carmen, and for his musical scores for films. Waxman was born Franz Wachsmann in Königshütte (Chorzów) in the German Empire's Prussian Province of Silesia. He orchestrated Frederick Hollander's score for the 1930 film Blue Angel (1930) and wrote original scores for several German films in the early 1930s.
Sir Granville Bantock (August 7, 1868 - October 16, 1946), was a British composer of classical music. Bantock was born in London. A close friend of fellow composer Havergal Brian, he was professor of music at the University of Birmingham from 1908 to 1934 (in which post he succeeded Sir Edward Elgar). In 1934, he was elected Chairman of the Corporation of Trinity College of Music in London. He was knighted in 1930.
Kenneth Hesketh (born Liverpool, 1968) is a British composer of contemporary classical music in numerous genres including opera, orchestral, chamber, vocal and solo. He also composes music for wind and brass bands as well as seasonal music for choir.
Mauricio Kagel (born in Buenos Aires, December 24, 1931, died in Cologne, September 18, 2008) was an Argentine composer who has lived in Germany for most of his career. He was most famous for his interest in developing the theatrical side of musical performance. Many of his pieces give specific theatrical instructions to the performers, such as to adopt certain facial expressions while playing, to make their stage entrances in a particular way, to physically interact with other performers and so on.
Richard Addinsell (January 13, 1904 - November 14, 1977) was a British composer, best known for film music, primarily his Warsaw Concerto, composed for the film Dangerous Moonlight (also known under the later re-title Suicide Squadron).
Films for which he wrote the music include: * The Amateur Gentleman (1936)
* Fire Over England (1937)
* Goodbye Mr. Chips (1939)
* Gaslight (1940)
* Blithe Spirit (1945)
* Scrooge (1951)
* Tom Brown's Schooldays (1951)
* The Prince and the Showgirl (1957)
Frederic Rzewski (born Westfield, Massachusetts, 1938) studied music first with Charles Mackey of Springfield, and subsequently with Walter Piston, Roger Sessions, and Milton Babbitt at Harvard and Princeton Universities. He went to Italy in 1960, where he studied with Luigi Dallapiccola and met Severino Gazzelloni, with whom he performed in a number of concerts, thus beginning a career as a performer of new piano music.
George Lloyd (28 June 1913 - 3 July 1998) was an English composer of late-Romantic classical music. He showed his talent as a composer early. His first symphony, written at age 19, was premiered in 1933. A second symphony had its premiere in 1935 and was soon followed by a third. His first opera was performed in 1934 and his second was staged at Covent Garden when Lloyd was just 25. Lloyd wrote several operas, including Iernin performed at Penzance (1934)...
The French pianist, Alexandre Tharaud, graduated from the Conservatoire National Supérieur de Musique in Paris and started his international career in earnest when he won the 2nd Prize at the ARD Competition in Munich. As a soloist, Alexandre Tharaud has appeared with the Symphonieorchester des Bayerischen Rundfunks, Münchner Rundfunkorchester, Japan Philharmonic Orchestra, Tokyo Metropolitan Orchestra, Orchestre Philharmonique de Radio-France, Orchestre National de France...
Sarah Hopkins is a unique Australian composer-performer, highly acclaimed for her visionary music and inspiring performances for cello, harmonic overtone singing, handbells, choir and the celestial Harmonic Whirlies of her own creation. With a strong background and training in classical music, over the years she has moved into the realm of holistic music and developed a very distinctive compositional voice.