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renaissance

Duarte Lobo

Duarte Lobo (1565? in Alcáçovas?-September 24, 1646 in Lisbon) was a Portuguese composer of sacred music. He was among the most prominent figures of the "golden age" of Portuguese polyphony, along with such names as Manuel Cardoso and Filipe de Magalhães. Lobo, also known under his latinized name Eduardus Lupus, began his musical career studying under the famous Manuel Mendes. He thence worked his way up to the position of mestre de capela at the Lisbon cathedral, one of the most prestigious musical appointments in Portugal.

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Tielman Susato

Tielman Susato (also Tylman) (c.1500 – c.1562) was a Renaissance Flemish composer, instrumentalist and publisher of music in Antwerp. While his place of birth is unknown, some scholars believe that because of his name—Susato meaning de Soest, of the town of Soest — he may be from the town of that name in Westphalia. Not much is known about his early life, but he begins appearing in various Antwerp archives of around 1530 working as a calligrapher as well as an instrumentalist: trumpet, flute and tenor pipe are listed as instruments that he owned.

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Anonymous 4

Anonymous 4 is a female quartet, based in New York City. Their main performance genre is music, although they have also premiered works by living composers such as John Tavener and Steve Reich. Anonymous 4 has performed in cities throughout North America, and have been regulars at major international festivals. They decided to make the 2003-2004 season their last as a full-time recording and touring ensemble, although special projects (such as their Gloryland CD and their "Long Time Traveling" Tour) continue to bring them together on occasion.

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Giovanni Pierluigi da Palestrina

Giovanni Pierluigi da Palestrina (b. 3 February 1525 – 2 February 1526; d. 2 February 1594) was an Italian Renaissance composer and the most well-known 16th-century representative of the Roman School of musical composition. Palestrina became famous through his output of sacred music. He had an enormous influence on the development of Roman Catholic church music, and his work has often been seen as the culmination of Renaissance polyphony.

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