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Cornell Campbell

Cornell, or Cornel, Campbell started recording in 1956, cutting shuffle and early ska tunes like "My Treasure" and "Don't Want Your Loving" at the ubiquitous Studio One for Coxsone Dodd. His singing style is delicate and ephemeral, making heavy use of falsetto. His stint at Studio One produced some beautiful tunes like Stars, Queen Of The Minstrels, Magic Spell, Trick In The Book and many others. His sister, Cecille Campbell, also sang at Studio One and was a member of the Soulettes with Rita Marley.

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a hundread pounds of colie

top 100 reggae artists

trojan records label

Jamaican Reggae - braindama

Middle Eastern inspired

Virgin Islands Reggae

am the one who love you

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The Wailing Souls

The Wailing Souls started out as a three-piece - Winston 'Pipe' Matthews, George 'Buddy' Haye and Lloyd 'Bread' McDonald - known as the Renegades in 1965. In the late 60s, Matthews and McDonald recorded on Coxsone Dodd's famous Studio One label with singers Oswald Downes and Norman Davis as both The Classics and The Wailing Souls. The Wailing Souls then moved to Bob Marley's Tuff Gong label in the early 1970s and became known as Pipe and The Pipes to avoid confusion with The Wailers.

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Dillinger

There are at least 2 bands with the name Dillinger 1. Dillinger (born Lester Bullocks on January 25, 1953) is a prominent reggae artist. Dillinger was part of the second wave of DJ Toasters who sprung up around Jamaica during the mid 1970s. Inspired by Big Youth, U Roy, and Dennis Alcapone, Dillinger was known for his quick wit, humorous lyrics and vulgar content ("crab in my pants"). As a youth growing up in Kingston, Jamaica, Dillinger would hang around Dennis Alcapone's El Paso Setup. This exposure would eventually lead to a full time gig at Jackie's sound system.

Lone Ranger

Borrowing his stage name from the popular TV Western hero of the same name, the Lone Ranger was one of Jamaica's most influential early dancehall DJs. He helped pioneer a newly rhythmic, on-the-beat rhyming style that led DJ toasting into the modern age, and punctuated his lyrics with bizarre exclamations and sound effects ("bim" and "ribbit" were his favorites) that made him perhaps the most imaginative stylist of his time.

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