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Kode9

Founder of the label Hyperdub and dubstep artist Kode9 often collaborates with mc Spaceape. He is often noted for his Memetic Philosophy on music and sonic culture.

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Morgan Zarate

Morgan Zarate is a producer, drummer, beatmaker and musical connoisseur from London, UK. Also known as Morgan Spacek, he has been working as an influential producer and remixer for many years, continually pushing forward the sound of future soul music. As one third of the band Spacek, Morgan produced the now legendary first two Spacek albums: 2001’s Curvatia on Island Blue and 2003’s Vintage Hi-tech on !K7

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The Curst Sons

Playing a mixture of original material and their own distinctive arrangements of vintage songs, The Curst Sons explore the hidden backwaters of American traditional music. Inspired by the pre-Rock & Roll world of Blues, Gospel and Old Time, their sound has been described as Hillbilly Blues, Country Punk and even Thrash Skiffle. Call it what you like, it’s infectious good-time party music, leavened with the occasional dark ballad or wistful waltz.

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Ikonika

Ikonika started playing the drums in hardcore and metal bands at the age of 11. At the same time she was also listening to Hip-Hop, R&B and UK Garage. As a consequence, it was obvious Ikonika’s musical genre raiding would influence her dubstep productions. In the summer of 2005, Ikonika started banging out Hip-Hop tracks under the name Kill Kip, but lack of progression and creativity led to endless tedium.

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Jessy Lanza

Jessy Lanza is a Canadian artist from Hamilton, Ontario who has released her debut album Pull My Hair Back on Hyperdub in 2013. Lanza is currently working as a music teacher in her hometown. She studied jazz performance and piano for her bachelor's at Concordia University in Montreal. Despite her degree in jazz, Lanza's main loves are R&B, and music, which she discovered through her father.

Read more about Jessy Lanza on Last.fm.

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Cooly G

Cooly G (Merrisa Campbell) comes from Brixton. She’s often placed within the growing UK funky movement, and her tracks almost always include a dancefloor-ready bassline. Yet she wouldn’t describe herself as part of the scene, even though she used to rap for funky producer Fingaprint.
Her dad had his own studio which she used to play about with, so she’d learned to DJ at the age of seven and was teaching music technology to men three times her age two months after she left school.

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