i should keep an eye on this one | Musicosity

i should keep an eye on this one

Expo '70

EXPO '70 was formed in Los Angeles by Justin Wright as a side-project, while he was playing guitar in Living Science Foundation (Second Nature Recordings; GSL50 Compilation). Initially, the group also included Wright's friend, PK . The pair improvised creating sounds bouncing effect-ridden instruments creating a wide range of textures and moods. EXPO '70's first recording and inception was during PK's project SXBRS recording session, resulting in one of many split releases on PKs' label.

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Don Byron

Don Byron (b.1958) is a U.S. composer and clarinettist. While he is considered a jazz musician, he is stylistically very adventurous, having recorded klezmer music, German lieder, and cartoon music. Byron was born on 8th November 1958 in the Bronx, New York City and was raised by his parents who were themselves musicians, his mother a pianist; his father a bass player for calypso bands. His parents raised him listening to all kinds of music, taking him on trips to the ballet and the symphony, and also exposing him to jazz such as Dizzy Gillespie and Miles Davis records.

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Feathers

There is more than one artist with this name. 1. http://www.myspace.com/feathersfamily
Looking (and often sounding) as though they've been sent directly from central casting, the psych-folk octet Feathers originate from the same fertile New England climates that generated the wayfaring likes of Tower Recordings and the MV & EE Medicine Show. The arrival of their debut album on Devendra Banhart and Andy Cabic's Gnomonsong label has not gone unheralded...

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Terry Springford

Terry Springford is a folk-pop singer-songwriter from Melbourne, Australia. In 2010, after a long hiatus from music, Terry returned to his home studio in the mountain forests outside Melbourne to record his Pretty Girls album, released in October. The album represents a departure in style for Terry as he adds a variety of electronic sounds to augment his strong songwriting and folk-pop roots. The album is available at iTunes. He's now working on a new album, "Fusion", and playing live in Melbourne. "Summer Dress" is his new single, released in April 2012.

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Walter Benjamin

Walter Benjamin is a modern songwriter, just like the Modern Rock Song by Belle & Sebastian. He uses samplers and synths on his songs, along with a cheap acoustic guitar and a cheap sounding voice. Walter Benjamin was born in the spring, although he doesn't remember where. He is now a member of Goodbye Toulouse, the Lisbon based folk collective, where he plays synths and samplers. Walter Benjamin is actually a piano player although noone has ever seen him play the piano.

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Greg Osby

Saxophonist, composer, producer and educator Greg Osby has made an indelible mark on contemporary jazz as a leader of his own ensembles and as a guest artist with other acclaimed jazz groups of the past 20 years. Notable for his insightful and innovative approach to composition and performance of original jazz music, Osby is a shining beacon among the current generation of jazz musicians. He has earned numerous awards and critical acclaim for his recorded works and passionate live performances.

Read more about Greg Osby on Last.fm.

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Shlohmo

L.A. native Henry Laufer, the 21-year-old producer better known as Shlohmo, is a lo-fi beat junkie and field-recording enthusiast, whose crackling, low-BPM compositions update Boards of Canada's filmstrip-soundtrack wooziness. An LA native, Laufer grew up listening to "stuff like DJ Shadow, Amon Tobin, M83 stuff with some sort of cinematic vision." He started making beats when he was 14, but "didn't really do it with any sort of purpose until I was like 17 or 18. That was also around the time he and his friends, already fans of Flying Lotus, discovered Low End Theory.

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Black To Comm

Black To Comm is an alias for Dekorder label owner Marc Richter's audio excursions. Richter creates his music using scratchy shellac and vinyl records, field recordings, a so called "kitchen gamelan," and more traditional instruments like organs, guitars, pianos and mbiras. The layering and hypnotic repetition of short loops from Psychedelia, Free Jazz, Vaudeville, and various other old recordings reveals alternative melodic dimensions not apparent in the source material.

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