Michael Giacchino (pronounced juh-kee-no) (born 1967, Riverside, New Jersey) is an American soundtrack composer who has composed several multi-award winning scores for many popular movies, television series and video games. He attended the Evening Division at the Juilliard School, as well as the School of Visual Arts in New York City, where he acquired a degree in film production and a minor degree in History.
Bernard Herrmann (June 29, 1911 – December 24, 1975) was an American composer noted for his work in motion pictures. In over forty scores Bernard Herrmann[ enriched the work of such directors as Orson Welles (Citizen Kane), Alfred Hitchcock (North By Northwest, Vertigo, Psycho, Marnie etc.), Francois Truffaut (Fahrenheit 451), and Martin Scorsese (Taxi Driver). From his first film (Citizen Kane) to his last (Taxi Driver)...
From scores to special sound effects, Alan Howarth's electronic imagination has contributed to some of the biggest genre films of the '80s. Alternately wearing the hats of both composer and sound effectsman, Howarth has collaborated with John Carpenter on the music from nearly all of his movies starting with Escape From New York. http://www.alanhowarth.com/
Richard Tognetti (born 4 August 1965) is an Australian violinist, composer and conductor. He was born in Canberra and raised in Wollongong. He is currently Artistic Director and Leader of the Australian Chamber Orchestra. Tognetti studied at the Sydney Conservatorium of Music with Alice Waten and undertook post-graduate study at the Berne Conservatory with Igor Ozim, where he was awarded the Tschumi prize in 1989.
Richard Addinsell (January 13, 1904 - November 14, 1977) was a British composer, best known for film music, primarily his Warsaw Concerto, composed for the film Dangerous Moonlight (also known under the later re-title Suicide Squadron).
Films for which he wrote the music include: * The Amateur Gentleman (1936)
* Fire Over England (1937)
* Goodbye Mr. Chips (1939)
* Gaslight (1940)
* Blithe Spirit (1945)
* Scrooge (1951)
* Tom Brown's Schooldays (1951)
* The Prince and the Showgirl (1957)
Jerrald King "Jerry" Goldsmith (February 10, 1929 – July 21, 2004) was a famous and prolific American film score composer from Los Angeles, California. Goldsmith was nominated for eighteen Academy Awards (winning one, for The Omen), and also won five Emmy Awards. Goldsmith learned to play the piano at age six. At fourteen, he studied composition, theory and counterpoint with teachers Jacob Gimpel and Mario Castelnuovo-Tedesco.
David Buckley is a British film score composer. He works extensively with composer Harry Gregson-Williams, but has composed numerous solo projects including the 2008 Joel Schumacher film Town Creek, as well as The Forbidden Kingdom, the first film to feature Jackie Chan and Jet Li.
Alfred Newman (March 17, 1900 – February 17, 1970), was a major American composer of music for films. In 1939, Newman began a twenty-one year career as music director for 20th Century-Fox Studios. He composed the familiar fanfare which accompanies the studio logo at the beginning of Fox's productions. At Fox, he also developed what came to be known as the Newman System, a means of synchronising the performance and recording of a musical score with the film. The system is still in use today.
Lalo Schifrin (born Boris Claudio Schifrin on June 21, 1932) is an Argentine pianist and composer, most famous for composing the "burning-fuse" theme tune from the Mission:Impossible television series. Lalo Schifrin was born in Buenos Aires of Jewish heritage. His father, Luis Schifrin, led the second violin section of the orchestra at the Colón Theater for three decades. At the age of six Schifrin began a six-year course of study on piano with Enrique Barenboim, the father of the pianist and conductor Daniel Barenboim.
Zbigniew Preisner (b. 1955) is one of Poland's leading film score composers, best known for his work with film director Krzysztof Kieślowski. Preisner was born on 20th May 1955 in Bielsko-Biała. He studied history and philosophy in Kraków; never having received formal music lessons, he taught himself about music by listening and transcribing parts from records. His compositional style represents a distinctively spare form of tonal neo-Romanticism.